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Georges Didi-Huberman: The Eye of History: When Images Take Positions Lens Mount_Canon RF deep blacks and extraordinary reproductionAn exploration of the interaction of aesthetics and politics in Bertolt Brecht's photoepigrams. From 1938 to 1955, Bertolt Brecht created montages of images and text, filling his working journal (Arbeitsjournal) and his idiosyncratic atlas of images, War Primer, with war photographs clipped from magazines and adding his own epigrammatic commentary. In this book, Georges Didi Huberman explores the interaction of politics and aesthetics in these